Comparing A Painting By Fra Filippo Lippi And Dante Gabriel Essays

Comparing a characterisation by Fra Filippo Lippi and Dante Gabriel Rossetti     The two pictures be Rosettis Ecce Ancilla Domini and Lippis Annunciation. Both of the artists were influenced by their age. Lippi lived in Italy between 1406 and 1469 and Rosetti from 1828 to 1882.     Lippis background of Italian Renaissance determined his style to a king-sized extent. In Florence where Lippi lived the economic changes of the measure led to an emerging refreshed family unit that of the banker princes. They lent money to almost only the kings in western atomic number 63 and so they collected great fortunes. From their riches they could give patronage to all kinds of artists. This gave artists a stable living but did not give them the exemption that Rosetti enjoyed a few centuries later.     Rosetti lived in England at a time when top executive came to the hands of a new industrial middle kinsfolk who became the new pat rons of the arts. They were rich but not as rich as the church building or the patrons of Lippis time. Therefore, the artists could not enjoy the protection of this new class for years. Consequently, an artist had to sell pictures in open competition with his rivals on the walls of a salon or an Academy. This competition naturally led to a variant of styles. Some turned to history or exotic arts and others sought-after(a) new ideas.      One of such artists was Dante Gabriel Rosetti he turned against the neo-classical traditions of the Academy and looked for opposite inspiration. He wrote in 1901 that "an artist, whether painter or writer, ought to be bent upon delimitate and expressing his own personal designs, and that they ought to be based upon a direct news report of Nature, and harmonised with her manifestations." In the same year he founded with some swain artists the Pre-Raphaelite Brotherhood based on the same principles.    &nbs p These ideas were not invite by the public and Ecce Ancilla Domini one of Rosettis first delineations was severely abused. Rosetti was so offended by the criticism that he swore never to exhibit in public again. Rosettis age did not appreciate his art because they thought that the style Raphael established was the crowning of all paintings. This style was based on dark colours, artificial settings and a triangle composition. Rosetti wanted to free ... ...we cannot conform to where the wall ends and the floor starts. With this we can draw a parallel with Lippis painting where architecture was also illogical. This brought us to the members that connect Rosettis painting to a traditional one like Lippis. Although the colouring is mostly whiten the picture is patched with some gold, red and blue, the traditional colours of bloody shames virginity. Also, the lily is present in both paintings, again it is related to virginity and the descend too appears, which represents the Ho ly Spirit. All these differences and similarities could be related to the problems Rosetti had to face when painting a religious picture. Probably he wanted to be earthy as much as possible and at the same time following his ambition he wanted to express his thoughts as well. This could be achieved by mixing traditional elements with innovations. One such new element was covering the figures with simple white dresses. Probably Rosetti did not dress his figures in modern-day clothes because that would have been strange to the Victorian viewer. Painting the figures in white was a solution to this problem. This way managing to be realistic and contemporary at the same time.