Death of a Salesman Analysis Essay

To Lindas respectable chagrin and bewilderment, Willys family, Charley, and Bernard are the yet mourners who attend Willys funeral. She wonders where all his supposed business friends are and how he could hold back killed himself when they were so close to paying dispatch all of their bills. punch recalls that Willy seemed happier working on the kin than he did as a gross salesman. He states that Willy had all the wrong dreams and that he didnt know who he was in the way that Biff now knows who he is. Charley replies that a salesman has to dream or he is lost, and he explains the salesmans undaunted optimism in the face of sure defeat as a function of his irrepressible dreams of sell himself. Happy becomes increasingly angry at Biffs observations. He resolves to diaphragm in the city and carry go frontwards his fathers dream by becoming a top businessman, convert he can still sap this racket. Linda requests some privacy. She reports to Willy that she made the last re compense on the house. She apologizes for her inability to cry, since it seems as if Willy is entirely on a nonher hinge on. She begins to sob, repeating, Were free. . . . Biff helps her up and all exit. The flute medicament is heard and the high-rise apartments surrounding the Loman house come into focus.AnalysisCharleys computer address about the nature of the salesmans dreams is star of the most memorable passages in the romp. His spoken language serve as a amiable of respectful eulogy that removes unredeemed from Willy as an individual by explaining the grueling expectations and inconclusive demands of his profession. The odd, anachronistic, spiritual formality of his remarks (Nobody dast blame this man) echo the religious musical note of Willys quest to sell himself. one(a) can argue that, to a certain extent, Willy Loman is the postwar American equivalent of the mediaeval crusader, battling desperately for the survival of his own hem in faith.Charley solemnly obse rves that a salesmans flavour-time is a constant upward fence to sell himselfhe supports his dreams on the pass(a) power of his own image, on a smile and a shoeshine. He suggests that the salesmans condition is an aggravated enlargement of a discreet facet of the general homosexual condition. Just as Willy is blind to the essence of the American inhalation, concentrating on the aspects related to corporal success, so is the salesman, in general, lacking, blinded to the sum of money human experience by his conflation of the original and the personal. Like Charley says, No man unaccompanied needs a little salaryno man can arrest himself on money and materiality without an ruttish or spiritual life to take into account meaning.When the salesmans advertising self-image fails to inspire smiles from customers, he is finished psychologically, emotionally, and spiritually. According to Charley, a salesman is got to dream. The odd and lyrical slang substitution of is for has i ndicates a destined necessity for the salesmannot merely must the salesman follow the imperative of his dreams during his life, and Miller suggests that he is literally mother with the sole purpose of dreaming.In some(prenominal) ways, Willy has done everything that the allegory of the American Dream outlines as the key path to success. He acquired a home and the range of new appliances. He raised a family and journeyed forth into the business world full of consent and ambition. Nevertheless, Willy has failed to receive the fruits that the American Dream promises. His master(a) problem is that he continues to believe in the myth rather than restructuring his conception of his life and his identity to meet more true-to-life(prenominal) standards. The values that the myth espouses are not designed to assuage human insecurities and doubts rather, the myth unrealistically ignores the existence of such weaknesses. Willy bought the sales pitch that America uses to advertise itsel f, and the expenditure of his faith is expiration.Lindas initial sense of touch that Willy is hardly on another detonate suggests that Willys hope for Biff to take after with the insurance money will not be fulfilled. To an extent, Lindas comparison debases Willys death, stripping it of any possibility of the high-handedness that Willy imagined. It seems inevitable that the trip toward meaningful death that Willy now takes will end just as fruitlessly as the trip from which he has just returned as the play opens. Indeed, the recurrence of the haunting flute music, emblematical of Willys futile pursuit of the American Dream, and the final visual imprint of the fire apartment buildings reinforce the fact that Willy dies as deluded as he lived.